The Business of Strangers
The Business of Strangers
Tags: business, Strangers
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on Tuesday, February 9th, 2010 at 3:12 pm and is filed under Business Coaching.
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February 9th, 2010 at 4:27 pm
Very involved film, lots to think about, a bit slow to begin with but you really get into it after about 20 mins, worth a watch when there is nothing on tv.
Rating: 4 / 5
February 9th, 2010 at 6:36 pm
I was somewhat underwhelmed by this short film about a liaison between two feminist corporatists , who hook up after a presentation to a client. The older one is a cold, divorced, childless greasy pole climber , while the younger one is a bitter, disturbed young lady with a dislike for men. They meet a man in their hotel lobby and give him something of a night to remember after the two ladies bond over copious amounts of alcohol. The young lady represents everything that is wrong and vile about modern women ; hateful,deceptive,untrustworthy, mentally unbalanced,arrogant,manipulative, a wine bucket and downright dangerous. The older lady has some sense of propriety, but she is in essence a corporate,feminist whore totally unfit for a relationship with a man. “The Business of Strangers” is a fairly forgettable film and it presents a good case for celibacy.
Rating: 3 / 5
February 9th, 2010 at 6:39 pm
i popped this film into my dvd player not expecting too much, just a nice way to pass the time, but i was blown away. I loved this film. I loved the storyline, the twists, and the acting was amazing!!! So intense!! I urge you to watch this, and at not even an hour an a half it wont take up too much time!!
Rating: 4 / 5
February 9th, 2010 at 8:07 pm
This film is a real little gem, an outstanding character-driven thriller about the relationship that develops between two women in the course of 24 hours. Stockard Channing plays Julie, a high-powered businesswoman who fires temp Paula (Julia Stiles) when her lateness ruins a presentation. When she encounters her later in the hotel, she regrets her harsh benaviour and apologises. As the two women get to know each other the dynamics of power, vulnerability and honesty fluctuate in fascinating and unpredictable ways. The cinematography is excellent, but what makes the film really stand out is the fanstasic performances of the two leads.
Rating: 4 / 5
February 9th, 2010 at 8:55 pm
Near the beginning of this imaginative film when Paula Murphy (20-year-old Julia Stiles) and Julie Styron (Stockard Channing) meet in earnest, Paula tells Julie what she really does in life: “I’m a writer,” she says. I write short stories about things that I experience. Nonfiction. “Fiction is too stupid, too neat. I like the sloppiness of real life.” What we don’t know at the time is that Paula is about to improvise just such a tale involving Julie, a tale that challenges the middle-aged executive’s lifestyle and her assumptions about herself and inspires her to do things she wouldn’t normally do.
This is the “business of strangers.” And this is the story within the story. Paula is the diabolical kind of person who is dedicated to introducing people to themselves so that she can watch them twist, a privileged, under-achieving Ivy League girl with machinations. Julie is a community college workaholic who never had time for a family, or love, or self-discovery, a lonely woman whose life is a parade of sterile hotel rooms, anonymous strangers, alcohol and pills. Although the story drags in a little in spots, the overall effect is edgy and fascinating, and the contrast between the principals keeps us wondering who is going to come out on top.
The action really begins when Julie, in an expansive mood with some booze and her promotion to CEO, shows some interest in the girl she just fired for being late to a presentation. It’s not clear what sort of interest that is. Julie responds as a spider coaxing a fly into the web, but it’s not clear what she’s up to. They go to the pool and play around, get on the treadmills at the gym and run. They go back to Julie’s suite and drink some more.
At this point I’m afraid that the film will deteriorate into a politically correct cliché of some kind, or a lesbian wish-fulfillment debacle, without anything really happening. Enter (or actually re-enter) Nick Harris (Fred Weller) who, Paula has confided to Julie, raped her best friend when they were undergraduates in Boston. This excites Julie’s loathing and so the two women play out an improvised and drunken revenge scenario that is a bit over the top, but psychologically correct.
After some intense emotional interaction, the film resolves surprisingly and rather neatly, allowing us to see that Paula has indeed spun out a tale whose moral might be, “watch out for young foxes.” The scene in the airport emphasizes this, with Julie and Nick sheepishly sorting out last night’s bizarre debauchery while trying to maintain their dignity, with Paula poised brazenly in plain sight wearing earphones, a smug silhouette in the distance.
Patrick Stettner wrote the script, which, judging from the series of stationary settings and the limited cast, I suspect was originally a stage play. He also directed in a business-like manner, getting a saucy and smirk-laden performance from Stiles, whose originality and talent is obvious, and a steady and believable one from veteran Channing. Incidentally, Channing is a Harvard graduate who is perhaps best known for her performance as Betty Rizzo in Grease (1978) playing a teenager when she was 32-years-old! Here she braves some close camera work that starkly reveals the 57-year-old actress beneath the makeup. Yet, as always, Stockard Channing pleases us.
But see this for Julia Stiles, a thoroughly professional player, whose arrogant, sneering, and edgy style add spice to, and partially disguise, her youthful mastery of the fine art of acting.
Rating: 4 / 5